Was born in 1979 and today is one of the most active lute players in Spain.
There is a certain amount of noise from the fingerboard, with the little squeaks and creaks all part of the physical nature of this kind of performing.but Rincón’s musical intensity is balanced against a technical ease and sense of flow which sweeps away most of these minor and highly subsidiary blemishes.” (MusicWeb International) “The playing here is richly colourful and varied as you would expect, with contrasts of tonality and dynamic emphasised through a constantly changing touch. Here we are being introduced to a new, very personal and at the same time virtuosic and powerful Bach, ready for the stage, which in the final Chaconne reaches a fulminant point of culmination, offhandedly upstaging quite a few rock guitar heroes of the last decades. He creates a richness and complexity of sound that one is not familiar with from the original violin version.
BACH BWV 1001 PRESTO GUITAR PDF BLUEPRINTS FULL
Miguel Rincón explores the tonal and emotional potential of his instrument to its full extent.
Such arrangements were quite common at Bachs time, and Bach himself was well-acquainted with the lute.
The young Spanish lute virtuoso Miguel Rincón, who already worked with some of most prominent characters in the field of Early Music, presents for his solo debut album two of his own transcriptions of the works for violin solo by J.S.
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